Film Reviews
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.
At the 2025 SXSW Film Inquiry takes a look at Good Boy, Redux, Redux & Mermaid.
The Electric State is a turgid mishmash of sci-fi with little uniqueness, bland characters, and a story so eye-rolling it may have been written by AI.
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
No amount of blood or cool gory effects could save Stream from itself.
Control Freak always goes forward and evolves, keeping you entertained and sitting with you afterwards for a long while.
Into the Poohniverse is Film Inquiry’s look at these movies as the cinematic universe expands and the death toll rises.
An Unfinished Film’s creative and sensitive approach to depicting life during the COVID-19 pandemic deserves to be seen.
Bloody Axe Wound’s ideas were there but the writing couldn’t back them up or bring them to a place where we could fully care about anything happening.
The Day The Earth Blew Up is a loving and looney enough romp to be the best Looney Tunes movie ever.
The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.
The Surfer feels like a natural fit for Nicolas Cage, and what follows is – for better or worse – pretty much exactly what you would assume from him.
Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
For our final installment of Slamdance, we’re covering a fictional drama about the struggles of Alzheimer’s and a documentary about a New York LGBTQI icon.
Today, we’re looking at two shorts: One about a filmmaker preparing for the progression of his diagnosis, the other about a drummer struggling creatively.