2025
In “Darkest Miriam,” we follow the eponymous protagonist through her own struggles with grief, as well as her hopes of love along the way.
MoMI decidedly focuses on experimental, documentary, and international cinema. Here’s a look at the 2025:
From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
A crazy quilt horror comedy like Dead Lover is likely not to everyone’s taste, but this film’s playful, undead spirit is contagious.
Plankton: The Movie encapsulates a troublesome and growing safeness in kids’ shows that is far better left behind.
If you like action comedy films that actually have a bit of a story, great action scenes, funny jokes, and a lot of heart, Novocaine is the perfect fit.
Bob Trevino Likes It is a truly wonderful piece of cinema, both heart-wrenching and life-affirming in equal measure.
In Mola: A Tibetan Story of Love and Loss, we see the tale of a woman of faith, her family, and how important those connections are.
Borderline does a lot over the course of its 90 minutes, it made us laugh, it made us cringe, it made us look through our fingers.
The Electric State is a turgid mishmash of sci-fi with little uniqueness, bland characters, and a story so eye-rolling it may have been written by AI.
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
No amount of blood or cool gory effects could save Stream from itself.
Control Freak always goes forward and evolves, keeping you entertained and sitting with you afterwards for a long while.
The Day The Earth Blew Up is a loving and looney enough romp to be the best Looney Tunes movie ever.
The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.