2020s
Today, we’re looking at two documentaries: One focusing on social justice in Omaha, and another exploring a mysterious hole in northern California.
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Based on the Pulitzer Prize-winning novel by Colson Whitehead, Nickel Boys follows a young man,…
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
In my opinion, no picture is more worthy of receiving best animated feature than Gints Zilbalodis’ Flow (2024).
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
We’re taking a look at a documentary following a conservative musical theater production and an ensemble dark comedy about people acting out in suburbia.
Teal and orange have made a serious comeback, at least in Frederik Louis Hviid’s new…
Most movies aren’t shot on the Orkney Islands. But The Outrun isn’t most movies. Directed…
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
Captain America: Brave New World is not the movie that will bring Marvel skeptics back to the franchise. Underneath, it’s still the same formula.
Here’s an ice-cold take: movies nowadays are too damn long. Obviously, this is all relative;…
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Love Hurts is still worth a watch, if only for Quan’s tour-de-force performance.